The Arts and Crafts of Older Spain, Volume I (of 3) by Leonard Williams : (full image Illustrated) Leonard Williams B00HBBCOSM
	File Size: 2762 KB.     BUY NOW Book Description :- Arts, Crafts, GOLD, SILVER, WORK, Spain, HISTORY The Arts and Crafts of Older Spain, Volume I (of 3) by Leonard Williams : (full image Illustrated) In preparing these volumes, it has been my aim to give a clear and fairly complete account of the arts and crafts of older Spain. It seems to me that there is room for a work of this design and scope, and that there is no reason why so attractive a subject--or rather, group of subjects--should be perpetually ignored by persons who travel through, or who profess to feel an interest in, the country of the Cid and of Don Quixote. My account of Spanish pottery is guarded, and yet I trust acceptable. The study of this craft in Spain is far from definite, and fresh researches and discoveries may be hoped for at some future time. The history of Spanish arms has also suffered from unjust neglect. Perhaps my sketch of them may slightly compensate for this deficiency. For the rest, my book, which represents the well-meant assiduity of several years, shall speak for itself. Although I was embarrassed by too much material, the illustrations have been chosen with great care, and not, I think, inadequately. Some of the photographs were taken specially for this work. For the loan of others, or for kind assistance generally, I am indebted to Excmo. Senor Don Guillermo J. de Osma, Excmo. Senor Don Jose Villegas, and Excmo. Senor Don Jose Moreno Carbonero; to Senores Gongora and Valladar, of Granada; and to Messrs Hauser and Menet, and Mons. Lacoste, of Madrid. August, 1907.
The Arts and Crafts of Older Spain, Volume II (of 3) by Leonard Williams : (full image Illustrated) Leonard Williams B00HB02VPY
	File Size: 4123 KB.     BUY NOW Book Description :- history, Arts, Crafts, FURNITURE, Ivories, Pottery, Glass FURNITURE Whether the primitive Iberians ate as well as slept upon their cave or cabin floor, or whether--as some classics call upon us to believe--they used a kind of folding-chair (dureta) and (more advanced and comfort-loving than the Andalusian rustics of this day) devoured their simple meal from benches or supports constructed in the wall, is not of paramount importance to the history of Spanish furniture. The statements of those early authors may be granted or rejected as we please; for not a single piece of furniture produced by prehistoric, or, indeed, by Roman or by Visigothic Spain, has been preserved. But if we look for evidence to other crafts, recovered specimens of her early gold and silver work and pottery show us that Roman Spain grew to be eminently Roman in her social and artistic life. This fact, together with the statements of Saint Isidore and certain other writers of his day, would seem to prove that all the usual articles of Roman furniture were commonly adopted by the subjugated tribes, and subsequently by the Visigoths;--the Roman eating-couch or lectus triclinaris, the state-bed or lectus genialis, the ordinary sleeping-bed or lectus cubicularis, made, in prosperous households, of luxurious woods inlaid with ivory, or even of gold and silver; lamps or candelabra of silver, copper, glass, and iron[1]; the cathedra or chair for women, the bisellium or seat for honoured guests, the solium or chair for the head of the house, the simpler chairs without a back, known as the scabellum and the sella, and the benches or subsellia for the servants. Further, the walls were hung with tapestries or rendered cheerful by mural painting; while the fireplace[2] and the brasier (foculus) have descended to contemporary Spain. CONTENTS Furniture Ivories Pottery Glass
The Arts and Crafts of Older Spain, Volume III (of 3) by Leonard Williams : (full image Illustrated) Leonard Williams B00H9HVUQ0
	File Size: 2096 KB.     BUY NOW Book Description :- Spanish Silk, history, ART, Crafts, Embroidery, Tapestry, Lace Our earliest intelligence respecting textile fabrics of old Spain derives almost exclusively from Moorish sources, and shows, together with the silence of Saint Isidore, that until the subjugation of the Visigoths, the occupants of the Peninsula attached no great importance to this industry. Under the Moors, the south and east of Spain grew rapidly famous for the manufacture of all kinds of textile stuffs, and in particular those of silk. The origin of these silks, or of the most luxurious and artistic of them, may be traced to Almeria. According to Al-Makkari, what made this Andalusian capital superior to all other cities of the world was her "various manufactures of silks and other dress materials, such as the dibaj, a silken fabric of many colours, surpassing, both in quality and durability, all other products made elsewhere, and also the tiraz, a costly stuff whereon are inscribed the names of sultans, princes, and other personages, and for making which there used to be no fewer than eight hundred looms. Inferior fabrics were the holol (a kind of striped silk), and brocades woven upon a thousand looms, while as many more were employed continually in making the scarlet stuffs called iskalaton. Another thousand produced the robes called al jorjani (or 'the Georgian'), and yet another thousand the Isbahani robes, from Isfahan, and yet another thousand the robes of Atabi. The making of damask for gay-coloured curtains and turbans for the women kept busy as many persons as the articles above-mentioned." Edrisi, a chronicler of the twelfth century, says of the same capital that she was the principal city belonging to the Moors in the time of the Moravides. In fact, she was then a great and prosperous industrial centre, possessing, together with other kinds of looms, eight hundred which produced the fabrics known as holla, debady, siglaton, espahani, and djordjani, curtains with a flowered decoration, cloths of a smaller size, and the stuffs which were denominated attabi and mi djar. CONTENTS Introduction Spanish Silk Cloths and Woollens Embroidery Tapestry Lace Appendices Bibliography Index

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